Conservation Stitching & Lining

Support & Preservation Through Expert Needlework

Full or partial support options are offered as well as lining on a variety of textiles ranging from archaeological textile fragments, ecclesiastical textiles, tapestries, embroideries, carpets, costume, fur, feather, leather and textile related objects.

A Private Client

Appliquéd and Embroidered Coverlet from Pakistan

Appliqued and embroidered coverlet from Pakistan after treatment

After Treatment

Close-up of couching stitches on Pakistan coverlet

Couching Stitches Close-up

Treatment Received

  • Surface cleaned with a variable powered museum vacuum through a mesh screen.
  • Contact humidification using weights to realign and even out any lifting applique and the cheesecloth support.
  • The appliqued textile was fully supported on a colour matched fabric and losses, failing seams and splits secured with a variety of conservation stitches including laid thread couching, whip stitch and running stitch in colour matched threads.
  • The edges of the support fabric were turned to the front of the textile and used as a border.

All Saints Church, Cambridge

Red Velvet and Embroidered Altar Superfrontal, circa 1860

All Saints Church red velvet superfrontal detail

Superfrontal Detail

All Saints Church superfrontal fragmenting velvet before treatment

Fragmenting Velvet Before Treatment

Superfrontal during treatment with velvet aligned

During Treatment

Laid thread couching stitches on new mount fabric

Laid Thread Couching Stitches

Treatment Received

  • The fringing was removed and surface cleaned.
  • All fragments were recorded, secured to a support board and stored for later use.
  • The original velvet panel was removed from the lining and box cover.
  • All elements were surface cleaned through a mesh screen using a variable powered museum suction cleaner.
  • Contact humidification was carried out on the reverse of the textile.
  • The velvet border was placed onto a colour matched fabric support.
  • The fragile areas, splits and fragments were secured to the support fabric using laid thread couching stitches.
  • The original fringe was humidified and secured back into place using a conservation back stitch.
  • A new altar top panel was made with colour matched support fabric and secured to the reconstructed front panel.
  • The superfrontal was relined using a new linen, lock stitches were evenly spaced throughout to secure all layers.

Marlborough NY & The Abakanowicz Arts and Culture Charitable Foundation

Helena by Magdalena Abakanowicz

308 × 465cm. A tapestry woven using linen warps, and wefts in sisal, cotton, wool, horsehair and silk in different combinations, thicknesses and weaves.

Helena by Magdalena Abakanowicz after conservation treatment

After Treatment

Abakanowicz Helena reverse showing supported original strip lining

Reverse Showing Supported Original Strip Lining

A full synopsis of the conservation of this incredible artwork can be found on our Project page.

A Private Client

Water Damaged Black Silk Brocade Cope & Hood

One of five water damaged ecclesiastical objects damaged by both water and mould.

Black silk brocade cope after treatment

After Treatment

Cope hood before treatment

Hood Before Treatment

Cope new lining

New Lining

Read more about this extensive project on our Project page.

Preserve Your Textile

Expert textile conservation and restoration services with a passion for preserving history.